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	Search results for Company    Refine your search Creator 3 () 3 () 2 () 1 () 1 () Show more... results 41-60 of 113 item(s)  page 3 of 6 : ( <<  1  2  3  4  5  6  >> ) :: previous : next select all : clear all : add to favorites   Image: Title: Description: 41. [Bookplate for John Orde] This heraldic bookplate consists of an escutcheon, parted per pale. At dexter, the escutcheon is sable (black), charged with three fish, two over one, huariant. Above the fish is an escutcheon, argent (silver), with the hand of Ulster ; a dexter hand, gules (red), indicating knight status. At sinister, the escutcheon is or (gold), with a flasque gules. The flasque is charged with wild cat heads, one over one. Above the escutcheon is a straight wreath charged with a stag's head erased. The stag's neck is also charged with a band, gules and engrailed. Below the escutcheon is a banner, with Latin motto within. 42. [Bookplate for John Caton Thompson] In black ink on white paper, this bookplate consists of a shield parted per pale, baron and femme, three coats ; first, or, a bordure, argent, a lion rampant ; second, parted per fess, sable, on a chevron argent, between three swans' heads, two over one, erased at the neck, ducally gorged, three pellet one over two ; in base (same as second) sable, on a chevron argent, between three swans' heads, two over one, erased at the neck, ducally gorged, three pellet one over two. Above a straight wreath, the crest of a lion rampant, ducally gorged. Below the shield, laurel sprigs. At the bottom of the ex libris appears the name 'John Caton Thompson.'. 43. [Bookplate for John Bonsall Porter] This heraldic bookplate is printed on cream paper with dark brown ink, and consists of an escutcheon, sable (black), charged with three church bells, two over one. Above the escutcheon is a helmet at three quarters profile in esquire form, with mantling radiating from it. Above the helmet is a straight wreath crested by the head of a lion in profile. Above the crest is a banner, with first Latin motto within. Below the escutcheon is another banner, with second Latin motto within. 44. [Bookplate for Johannis Platt by John Dickson Batten] This bookplate has both heraldic and pictoral qualities. The primary subject of the bookplate is a lamb, grazing in a glade of flowers, with bookplate owner's name in a banner below. In the background, the bookplate features a pen of sheep as well as a dead wolf hanging from a tree. At top-left corner, the bookplate features an escutcheon, azure (blue), charged with two fleur-de-lis and a lamb, two over one, and a chevron or (gold) charged with a fleur-de-lis and two cinque foil. Above the escutcheon is a peer helmet, with a wreath charged with a grazing lamb. Mantling radiates from the helmet, and Welsh motto is contained on one side. The entire scene is contained within a stylized border, with Welsh motto within. 45. [Bookplate for Jeffrey H. Burland] In black ink. Bank note style design. In the middle is a picture of stacked books with letters on their spines spelling out the word "number," and an open one in front containing the book number in red ink. Below is a picture of an inkwell and quill on a tasseled cloth. 46. [Bookplate for J. W. Longley by Francis Adams Sc.] Black ink on white paper. The crest features an arm grasping a dagger. The blade of the dagger has pierced the head of a bearded man that resembles a lion head. The arm is atop a crest-wreath. The wreath sits on a flower with a round center and 5 petals. To strips extend out of the flower across the front and back of a ribbon, connecting to the top of the shield. The ribbon extends straight out with curling ends. The motto is printed on the ribbon in black, capitalized, serif font. Shield is ermine with a black bend. Bend charged with three cheetah heads. The shield features a sinister canton paly. Underneath the shield, the bookplate owner’s name is printed in large, black, sentence case, gothic font. More text is printed below the name in smaller, black, capitalized, serif font. 47. [Bookplate for J. I. Frank Anthes] In red and black ink on cream or white paper, the bookplate consists of a red double border surrounding black text. 48. [Bookplate for J. Harry Smith by William Walker Alexander] Printed in brown ink on cream paper, the bookplate shows a man in the dress of a 19th-century agricultural laborer against a background of clouds and a landscape of fields, trees, and three buildings (possibly a house, a barn, and an out building). The man holds a basket in his left hand and sows seeds with his right hand. In the left foreground, a lamb frolics next to an open book. The right page of the book reads 'LAMB'S / TALES.' Underneath the open book appears a manuscript upon which rests an inkwell and a quill pen. The date '1942' is written in the bottom left corner of the manuscript. To the right of the book appears a mailbox with 'R. R. / 4' written on the door. On the side of the mailbox appear the words 'Knoll Farm / J. HARRY SMITH.' Below and to the right of mailbox appears an inverted triangle with the initials 'W W' at the base of the triangle and the initial 'A' at the top of the triangle. 49. [Bookplate for Imperial Cotton Co. by R&M] Printed in black ink on cream coloured paper. The scene depicts dark-skinned laborers working in a cotton field. In the right-hand side of the foreground, a laborer holds a large wicker basket full of cotton on their head. To the left are two other large wicker baskets full of cotton. At least four other laborers recede into the depth of the field. They wear loose, baggy clothing and wide-brimmed hats. In the background is a wide, low brick factory building with smokestacks on the far left and one low, square tower with a flag in the middle. Below this scene is the insignia of the Dominion Crown and the text identifying the Imperial Cotton Co. 50. [Bookplate for Hudson's Bay Company and Gordon Elliott] In purple ink, text within a round indented border. 51. [Bookplate for Hill’s Library] Black ink on yellowing paper. Typewritten text in capital letters and bold followed by sentence case letters in varying serif font sizes. There is a thin line with stylized dots in the centre separating text. Below the line, text is written in large, capitalized, bold serif font. Below that is text written in bold, sentence case. Text is then written in non-bold capital letters. There is a thicker, stylized line with three dots in the centre separating text. Below the line is text written in capital sans serif font, followed by text in smaller, bold sans serif font. Further text is right aligned and written in italicized serif font. Text is then written in capital and sentence case serif font in multiple sizes with section separated by dots. Graphic of hand with index finger pointing right is next to capital, sans serif font. A squared squiggled line is below the finger graphic and above faded text in serif font. Below that is serif font in capital letters and then bold serif font in bold letters. That is separated from bold, capital, serif font with a squared, squiggled line. The following serif font is bold. Below that is larger, bolder serif-font. The following text is written in smaller sentence case and capitalized serif font. Below that is sentence case serif font, followed by larger sans serif font and then bold, capitalized, serif font. The last part of the text is written in sentence case serif font. Handwritten notes cover some of the typewritten text on the right side of the bookplate until approximately halfway down the bookplate. The bottom two corners of the bookplate have been cut off. The bookplate appears to be printed on top of a newspaper or magazine clipping, the recto of which is slightly visible through the bookplate. Black ink serif font text and some imagery are visible. The verso of the bookplate is clearly the other printed side of the magazine or newspaper with serif fonts in bold capital letters and non-bold sentence case letters. The recto of the original print is also slightly visible from the verso side. 52. [Bookplate for Hill’s Library] Black ink on cream paper. Handwritten notes across at the top of the bookplate in the center and right corner. Typewritten bold capital letters in serif font followed by smaller non-bold letters. The line below features bold font in sentence case. A thin black line with a thicker rectangle in the middle separates text. Text below the line is large, capital, bold font. The following line is in smaller sentence case. The next line of text is in capital, non-bold font. A thin line with two small diamonds and one large diamond in the center separate the text. Below the line is italicized capital sans serif font. Underneath that is smaller, bold sans serif font. Lending periods written on the right side of the bookplate in italicized sentence case serif font. Below that is capitalized font separated with ellipses from monetary amounts, each of which is separated by 6 dots. Text below, written in sentence case, follows the same pattern, followed by a line in sentence case serif font. Image of hand pointing an index figure to the right points to capitalized bold serif font. Below that is slightly smaller capitalized bold serif font. The following two lines of text are written in sentence case, with some use of bold letters for emphasis. Next are two lines of serif font in capital letters and a larger font size, followed by font in sentence case. The next line of text is in bold capital letters. Below that is larger, bold serif stylized font, followed by smaller non-bold capital lettering. The next five lines contain small sentence case serif font with use of bold letters for emphasis. Below that is bold, capitalized sans serif font, followed by a line that is initially non-bold, capitalized, serif font and then switches to bold, capitalized, sans serif font. The last two lines are written in non-bold sentence case serif font. All text is center-aligned. 53. [Bookplate for Hill’s Lending Library] Black ink on yellow pink paper with clipped corners. Capitalized serif-font followed with by a line of stylized bold block lettering with decorative serifs. Next line contains smaller bold serif font in sentence case. Text is then separated by a thin, centered line. Subsequent text written in capitalized, bold, sans-serif font. Below that is smaller, capitalized serif font that is then written in sentence case in the second half of the line. The next four lines use quotation marks to indicate repeat content with some sentence case serif font additions. There is then a line with some capitalized and some sentence case serif font, followed by the same four line pattern of quotation marks and sentence case font. Below that is a line of sentence case serif font. The next line uses capital letters for emphasis followed by sentence case serif font. There is a line of capitalized serif font followed by larger, sentence case bold serif font. The text is separated by a thin centered line. Below the line are capital letters in serif font followed by larger capitalization font in bold, then smaller non-bold capitalized text, then larger bold capitalized text. A shorter thin line separates the text. Below the line are four lines of sentence case serif font. Next is a line in capitalized serif font followed by a smaller, bold line of capitalized serif font. The last line is written in smaller, sentence case, serif font. 54. [Bookplate for Harvey Reginald MacMillan] Heraldic bookplate. At the centre of the bookplate is a wreath out of which two arms are raised gripping a sword. Below the wreath is a ribbon with the Latin motto: "Miseris succurrere disco" (I learn how to help the wretched). Surrounding the image is a black frame with small white triangles. 55. [Bookplate for Hart House] This bookplate's design is divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. The name of the donor is in the lower third. 56. [Bookplate for Hart House Library by J. E. H. MacDonald] Brown ink on tan paper. Plate divided into three sections. At the top, the University of Toronto shield sits to the left of the text. In the middle is a picture of Hart House as seen from above. At the bottom is the name of the donor. 57. [Bookplate for Grace Svenningson] In black ink on white paper, two columns frame the sides of the bookplate, with a banner stretched behind them at the top. Thick vines are hanging from the banner, and a few are wrapped sparsely around the columns as well. There is an urn on the bottom left with some gentle hills in the background. The name is printed in red ink at the bottom of the plate. 58. [Bookplate for Gordon Elliott] In blue ink on white paper, text within a single blue line border. 59. [Bookplate for Goodwin's Limited] A decorative border is printed in green ink. Inside at the top left is the Goodwin's script logo "G" on a maple leaf printed in green ink. Text is printed in black ink and three fonts, including the Goodwin's Limited logo script. There is a tear in the bottom right corner and a light "X" drawn across the plate in pencil. 60. [Bookplate for Gertrude Elliott by Rustcraft USA] Blue, pink, yellow, gold, and black ink on cream paper. A knight in armour sits on horseback behind a black silhouette of city ; in the background is castle suspended in the clouds. A border of flowers and vines surrounds the image. 'Rustcraft USA' is written vertically in small type along edge of building, and near the horse's tail additional text appears to read "A74." There is a scroll at the bottom with the originator's name. select all : clear all : add to favorites results 41-60 of 113 item(s)  page 3 of 6 : ( <<  1  2  3  4  5  6  >> ) :: previous : next
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